Marcin Dylla plays Sonata Romantica

내가 좋아하는 멕시코의 작곡가 Manuel Maria Ponce의 곡으로서, 부제는 슈베르트 찬가(Hommage a Franz Schubert)이다. 아래 글에 나오듯 Segovia가 낭만주의 스타일의 곡을 써달라고 Ponce에게 의뢰하였고 Ponce는 낭만주의 대표적 작곡가인 슈베르트를 기리는 찬가를 작곡하여 Segovia에게 헌정한 것이다.

 

웬만해선 그냥 지나치려 했는데, 이 연주자... 느무~느무~ 잘해서 감탄이 절로 나온다.

그것도 실황에서 이렇게 여유롭게 하는 거 보면 그냥 탁월한 정도가 아니다. 

 

 

In 1929 Manuel Ponce (1882-1948) created one of the greatest works in the classical guitar repertoire: his Sonata Romántica.

The story is that the guitarist Andres Segovia asked him to compose a piece for the guitar which was in the style of the Romantic Period. The piece is dedicated to Andrés Segovia and its subtitle is Hommage a Franz Schubert. Schubert was a leading composer during the Romantic Period.

During editing Segovia communicated to Ponce this problem with the fourth movement:

"... I threw myself into the finale like a hungry dog ... and I am furious with the guitar. What you would least imagine -- for the first time with your music!! -- comes out impossible: the arpeggios .... And you have coincided with the same type of difficulty that makes the prelude in the E major by Bach (violin solo) unbridgeable for guitar. And the difficulty, in both passages, is that it is necessary to have a succession of step wise intervals on the same string, staying, at the same time, in one position, at times senselessly, in order to strike the disjunct note of the arpeggio. Do you understand? on the guitar the technique of the arpeggio is derived almost strictly from the possibilities of the blocked chord. What is not possible in a chord struck together, is not possible in arpeggiation, unless it is played very slowly. How are you going to fix this? I am truly desperate, because I like it as it is. Rescue it however you can, please! Do not modify the rhythm, nor the melodic disposition of the chords: change the form of the arpeggio. You will see how well the three previous movements go. The andante is delightful: among the best that Schubert left without doing. I spend all day playing it. The guitar sounds delightful."

Segovia was enthusiastic about the revised version which Ponce sent soon thereafter.

1.Allegro moderato (0:00)
2.Andante espressivo (7:54)
3.Allegretto vivo: Più lento espressivo (12:25)
4.Allegro non troppo e serioso (15:32)

Marcin Dylla, Poland
Live - Wawel Royal Castle at Dusk
Guitar: Double top Boguslaw Teryks, Poland