Marcin Dylla plays Tres Piezas Españolas

 

이 연주자의 영상 하나 더.

 

스페인이 낳은 위대한 작곡가 Joaquin Rodrigo의 세 개의 스페인 곡(Tres Piezas Españolas)으로서 Rodrigo 곡의 정수라는 생각이다. 그만큼 금세기 최고의 기타곡이 아닌가 한다. Julian Bream의 음반에서 듣고나서 심하게 중독되었던 곡들인데, 온갖 입시며 콩쿨의 단골 지정곡들이기도 할 정도의 난곡들이다. 멋모르던 시절 혼자 펄펄 해보긴 했으나 이렇게 다시 보니 추억이 새록새록... 그동안 나태(?)해진 손가락을 다시 학대할 생각도... ㅋ

 

제1곡은 Fangando

제2곡은 Passacaglia

제3곡은 Zapateado

 

요건 실황

 

요건 스튜디오 

 

Tres piezas españolas (Three Spanish Pieces), dedicated to Andrés Segovia, were composed in 1954, the same year as Rodrigo's second guitar concerto, Fantasía para un gentilhombre (Fantasia for a Gentleman). Fandango, with its 'wrong note' beginning, contains fine moments of lyricism accompanied by colourful chords, as well as many brilliant passages of triplets in which the player's dexterity is exploited to the full. The composer wrote about this piece:

The fandango was a very popular dance in the eighteenth century; it was the dance both of the nobility and the masses...The fandango is a slow dance and sometimes includes ballads which are sung. Its origin is uncertain though many experts claim the fandango is of Arabian descent. Except in the trio of this central section, this Fandango does not employ popular themes, but it is inspired by the sevillanas, an extremely intricate folk-dance. The melodic style reflects the gallantry and pomp of the eighteenth century in Spain and especially in Madrid.

The second movement, Passacaglia, more introspective in character, reveals how resonant a single line can be on the guitar, especially on the bass strings. Gradually the figurations over the repeated ground become more complex through succeeding sections until a chordal rasgueado (strumming) takes us into the atmosphere of the indigenous guitar of Spain, but with slightly altered chords from what might be expected. The harp-like brilliance of the following section precedes a fugato coda in fandango rhythm. The transition from the pensive opening to the vigorous finale is a masterly piece of composing requiring a fine judge of pace and shading from the performer. Zapateado is a virtuoso demonstration of the rhythms of the flamenco dance famed for its skillful footwork. Its perpetual motion, inventive modulation and subtle rhythms create not only picturesque images of vigorous choreography but also provide a dramatic climax to the triptych.

Fandango (0:00)
Passacaglia (3:44)
Zapateado (8:42)

Marcin Dylla, Poland
GFA 2007 Winner Performance
Guitar: Double top Boguslaw Teryks, Poland